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Finneas O'Connell to Score 'Beef' Season 2
March 12, 2026 1 views
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Mar 12, 2026 9:00am PT
Finneas O’Connell to Score ‘Beef’ Season 2
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Kennedy French
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Kennedy French
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Two-time Academy Award and 11-time Grammy Award winner Finneas O’Connell will compose the score for season 2 of Netflix and A24’s anthology series “Beef.”
O’Connell, known for his work as a songwriter, producer and frequent collaborator with his sister Billie Eilish, said he has “spent the last 12 months in ‘Beef’ land.”
The new season of the Emmy-winning drama will premiere April 16 on Netflix and consist of eight episodes. Created by Lee Sung Jin, the series returns with a new cast and storyline following the breakout success of the first installment, which starred Steven Yeun and Ali Wong.
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The musician said he has written all original music for the show, and added, “I probably watched every scene 100 times while I scored the show and I felt it every time.”
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Lee Sung Jin, who serves as creator, showrunner, writer and executive producer, praised the musician’s emotional range. He said, “Finneas is the brilliant mind behind most of the music that has soundtracked my personal life over the last decade.” He added, “He has an incredible ability to make the darkest emotions sound so achingly beautiful.”
Beyond his chart success, O’Connell has steadily expanded into film and television composition. He previously wrote the score for the HBO Max drama “The Fallout” and B.J. Novak’s dark comedy “Vengeance,” while also composing music for Alfonso Cuarón’s Apple TV+ series “Disclaimer.” His songwriting work on the “Barbie” ballad “What Was I Made For?” earned him an Academy Award and two Grammys.
This season, Charles Melton and Cailee Spaeny star as a young couple working at a country club who witness an alarming fight between their boss and his wife, played by Oscar Isaac (“Frankenstein”) and Carey Mulligan (“Promising Young Woman”). Oscar-winning actress Youn Yuh-jung (“Minari”) and Song Kang-ho (“Parasite”) are set to join the cast, which will feature “chess moves of favors and coercion in the elitist world of a country club and its Korean billionaire owner.”
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Read original article on Variety.com