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'Hoppers' Holds No. 1 at U.K., Ireland Box Office

March 17, 2026 1 views
EntertainmentRecreation
'Hoppers' Holds No. 1 at U.K., Ireland Box Office
Mar 17, 2026 2:55am PT ‘Hoppers’ Holds No. 1 at U.K., Ireland Box Office as ‘Reminders of Him’ Debuts at No. 2 By Naman Ramachandran Plus Icon Naman Ramachandran Latest Applause Entertainment, Story TV Team for Premium Microdrama Slate in India (EXCLUSIVE) 2 hours ago Hrithik Roshan’s HRX Films, Prime Video Team for Comedy ‘Mess’ (EXCLUSIVE) 4 hours ago ‘The Night Manager’ Chinese-Language Remake Expands Cast 8 hours ago See All ©Walt Disney Co./Courtesy Everett Collection Disney’s “Hoppers” held the No. 1 position at the U.K. and Ireland box office for a second weekend, adding £2.3 million ($3.1 million) and bringing its total to £7.7 million ($10.3 million), according to Comscore. Universal’s “Reminders of Him” debuted in second place with $1.4 million, marking the top new entry of the frame. Studiocanal’s “How to Make a Killing” followed closely in third, opening with $1.2 million. Related Stories Only Half of Americans Went to a Movie Theater in 2025, According to Pew Study Chalamet or Jordan? Oscars Betting Becoming a $100 Million-Plus Business With Kalshi and Polymarket Entertainment Film Distributors’ “Mother’s Pride” placed fourth in its second weekend, grossing $802,000 for a cumulative $2.7 million. Warner Bros.’ “Wuthering Heights” continued its steady run in fifth, adding $711,000 to reach $32.3 million in total. Popular on Variety Paramount’s “Scream 7” moved to sixth in its third weekend with $655,000, lifting its cumulative to $9.5 million. Sony’s “GOAT” followed in seventh place with $336,000, pushing its total to $16.9 million. Universal’s “EPiC: Elvis Presley in Concert” ranked eighth with $236,000 for a $4.5 million total, while Warner Bros.’ “The Bride!” took ninth place with $235,000, reaching $1.7 million. Rounding out the top 10, Mubi’s “The Secret Agent” added $104,000 in its fourth weekend, bringing its cumulative to $1.5 million. The late-March frame is one of the most crowded of the year so far, led by Sony’s wide release “Project Hail Mary,” directed by Phil Lord and Christopher Miller and starring Ryan Gosling. Disney has genre sequel “Ready or Not 2: Here I Come,” while Kaleidoscope Entertainment targets family audiences with animated feature “The Land of Sometimes,” voiced by Ewan McGregor, Helena Bonham Carter and Asa Butterfield, also opening wide. Universal drama “Midwinter Break,” while Signature Entertainment rolls out psychological thriller “The Good Boy,” starring Stephen Graham and Andrea Riseborough. Vertigo Releasing launches Gus Van Sant’s “Dead Man’s Wire,” starring Bill Skarsgård, Al Pacino and Colman Domingo, while Picturehouse Entertainment releases Ugo Bienvenu’s animated feature “Arco,” with a voice cast including Will Ferrell and Natalie Portman. Indian titles continue to feature prominently, with Moviegoers Entertainment’s “Dhurandhar: The Revenge,” starring Ranveer Singh, opening across 100-plus locations, alongside “Ustaad Bhagat Singh.” The week also includes a wide array of independent and international fare such as Vue Lumière’s “Broken English,” Munro’s “Apnas” and “Don’t Be Prey” and 606’s “Abode.” Repertory and event cinema remain a key component. Park Circus marks the 25th anniversary of “Moulin Rouge,” while Arrow Films brings John Woo’s “The Killer” back in 4K. Earlier in the week, Disney reissues “The Revenant” for its 10th anniversary, and MusicScreen presents “Lohengrin – Wagner.” Jump to Comments Oscars Surprise: Live-Action Short Results in Seventh Tie in Academy Awards’ History ‘One Battle After Another’ Casting Director Cassandra Kulukundis Wins Inaugural Oscar for Best Casting Teyana Taylor Was ‘Nearly in Tears’ During Oscar Dress Fittings: ‘It’s So Major’ Nicole Kidman Says Her Oscar Prep Starts With Going to Church: ‘It Centers Me’ ‘Bridesmaids’ Reunion: Kristen Wiig, Melissa McCarthy and Co. Make Oscars Laugh by Reading Fake Notes From Nominees Oscars Producers Reveal ‘Fab Five’ Casting Tribute, Extended In Memoriam and Why Only Two Musical Performances JavaScript is required to load the comments. Loading comments...